2019 Cuban Film Festival Poster - Ginger & Fred, Film by Frederico Fellini - Silkscreen by Liz Capote (Signed, Numbered and Embossed) mode by the 1950s the industry

by the 1950s the industry leader in France was being swamped by its competitors

But there is also undoubtedly an autobiographical component: a personal settling of scores with the "Good Ladies" who lean over the penniless marginals to play at their expense a frivolous game of self-satisfaction

About The Poster: Rene Gruau (Italian) 1909-2004 - With his stunning

Artist: Dupin

2019 Cuban Film Festival Poster - Ginger & Fred, Film by Frederico Fellini - Silkscreen by Liz Capote (Signed, Numbered and Embossed) mode by the 1950s the industryDate: 2019 Size: 19. 5 x 27. 5 inches Artist: Liz Capote Alonso As opposed to the French who pioneered the lithographic process, Cuban poster production in the 1950s and 60s was primarily centered around silk screening. Images were built up through layers of paint rather than ink, resulting in a poster which more closely resembled a painting than a litho. The printing tradition continues with CartelON, a project devoted to promoting silkscreening in